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    Projects
  • E.V.I. (Experimental Video Interface)

    June 16, 2026

    Shown at Death of the Music Video & Art of Strijp-S

    Semester-long project

    Tags: Intervention, Experimental, Hardware

    See also: Dissection of the Industry behind Music Videos

    [...] Experimental Video Interface takes the position of an intervention in the music video industry. It is a continuation of the research "Dissection of the Industry behind Music Videos", framing itself as a counter-reaction to the software. The interface consists out of multiple components chained together in a modular setup. These are made to explore the ambiguity of electrical signals used to transfer sound and image. It takes inspiration from dub music, which uses a mixing board like an instrument and revolves around reworking existing music. It is made to bring the personality and emotions of music to a frictionless video editing industry. All components and research are open-sourced through the website found below.

    Created within the brief "Death of the Music Video(?)" of Studio Digital Native at Design Academy Eindhoven, where students deconstruct the music video format, understanding it as a portal to today's digital worlds.

    Installation
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  • Dissection of the Industry behind Music Videos
    April 14, 2026

    Shown at Death of the Music Video

    Month-long project

    Tags: Research, Information Design, Visualisation

    See also: E.V.I.

    [...] Dissection behind the Industry of Music Videos shows us exactly within which budgets, frameworks and contexts most famous music videos have been made. It takes the top 25 most seen music videos from YouTube, and the top 10 most seen music videos on TikTok. The dataset consists of data collected from all findable sources about these music videos. If the lines are dashed, the source was unreliable, or the source wasn’t thrustworthy. The digital version of the graph allows to go in-depth in the single items, and shows the connections between them. The printed version of this graph uses four main categories on different scales. These represent the general ‘accessibility’ of the industry. The diagram is open-sourced and accessible through the website below.

    Created within the brief "Death of the Music Video(?)" of Studio Digital Native at Design Academy Eindhoven, where students deconstruct the music video format, understanding it as a portal to today's digital worlds.

    Installation
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  • Museum of Optimised Art

    September 8, 2026

    Two-day long project

    Tags: Algorithm, Optimisation

    [...] The Museum of Optimised Art is a protest against the ongoing optimalisation of our society. It counteracts and decontextualises this optimalisation by applying it to art. It takes a digital image of an artwork and optimises it by stripping 'unnecessary' image date. The result seems oddly familiar to abstract AI-generated art. The museum is a collaborative platform, allowing anyone to optimise their favorite artwork, to understand how absurd it can be. By optimising something as deeply profound as art, it reminds the user that it is within the friction that emotions lie.

    Created as a kick off assignment within Studio Melting Realities at Design Academy Eindhoven, that explores the increasingly blurred boundaries between physical and digital realities. Students investigate how interfaces, technologies and platforms shape our experiences, with a focus on physical–digital interaction, communal presence and spatial AI.

    Installation
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  • Techno-Exponentialism Existentialism

    March 9, 2026

    Collaborated with: Yunseo Cha, Lilly Van Bakel

    3-week-long project

    Tags: Datamoshing, Command-Line Video Editing

    [...] Techno-Exponentialism, founded in Moore's Law, has been transforming the way we interact with our resources. It becomes ever more extractionist, often at the expense of our nature and well-being. The music video explores these themes by exploring the exponential development of technology, becoming more and more dissonant, yet intriguing. It is displayed on a CRT tv, and edited using FFMPEG, to counteract the necessity of advanced technology.

    Created as a kick-off assignment within Studio Digital Native at Design Academy Eindhoven, where students analyze one of the most influencial music videos, using it as inspiration for a contemporary approach to music videos.

    Project 2 Video Frame
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  • Raisin

    January 19, 2026

    Semester-long project

    Tags: Decorative, Furniture, Visual Research

    [...] Raisin is a vase that was founded by natural processes. It got inspired by dried up grape branches, which got dissected through form and color research.

    Created in Studio Thinking Hands at Design Academy Eindhoven. The studio teaches students how to enhance and build an inquisitive and intellectual mind with making and crafting as a part of the design process.

    Vase
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  • Living Structures

    January 15, 2026

    Semester-long project

    Tags: System, Interior, Modular

    [...] Living Structures explores the way our society interacts with objects. It dissects how form language can be limiting our creativity, creating stale interactions with our environment. As a reaction on this, it is a modular system that consists our of different levels, acting as benches, tables, chairs, ... It is accompanied by a modular building website.

    Made within the 'Fascination Project' module of Design Academy Eindhoven, where students explore their own interests and are encouraged to develop their own design language.

    Installation
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  • Have a Great Day!

    June 23, 2025

    Semester-long project

    Tags: Intervention, Graphic Design, Activism, Urbanism

    [...] Have a Great Day is a series of posters and stickers made to raise your voice. As the capital of Europe, Brussels houses numerous international communities, speaking a diverse selection of languages. This phenomenon is heavily politicised, both through the friction between French and Dutch, but also the invisible languages spoken by immigrant communities. These posters were designed to confront people with these languages. This is done by teaching words of kindness from one to another spoken language. By placing the answer to the question in small, it doesn't try to provide the answer, but instead spark curiosity. The context in which the posters were hung up is equally important. It is hung in places where these institutionalized languages are visible. On the other hand, the stickers were made to give people a voice. They represent each community and which language they speak. The posters and stickers can be obtained for free and hung around the city, to fully take ownership of the city. This way, the city becomes more of a mutual ground between these languages, and people who see them feel more welcomed.

    Created within the semester topic of 'Friction' at Studio Technogeographies of Design Academy Eindhoven. The studio is a theoretical and practical laboratory placing design and designers as active agents for imagining potential future scenarios inside our contemporary technogeographies.

    Installation
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Information
About Me

Jaan Van Rompaey is a Belgian designer and artist. His background is in industrial design, architecture, and fine arts, which has founded his approach to design. Interventions and activistic approaches are the basis of his work, often using digital media to explore narratives related to contemporary culture and society.

He often uses a conceptual approach to design, but keeps close contact with materialisation and physicality.

Exhibitions
  • Art of Strijp-S E.V.I.
    Klokgebouw
    Eindhoven, Netherlands
    September 19-20, 2026
  • Death of the Music Video (?) E.V.I., Dissection behind the Industry of Music Videos
    Design Academy Eindhoven
    Eindhoven, Netherlands
    June 15-16, 2026
  • Dutch Design Week TRI and HEX
    Piet Hein Eek
    Eindhoven, Netherlands
    October 18-26, 2025
  • Homo Ludens Ocelot
    Campo & Campo
    Antwerp, Belgium
    June 20-25, 2024
Work Experience
  • Kiki & Joost Occasional Freelance
    2026-Present
    Manufacturing, creating and installing of work
  • Design Academy Eindhoven Part-time Work
    2024-Present
    Facilities for students, employees, and Dutch Design Week
  • Meubelen Janssens Part-time Work
    2022-2024
    Designing and 3D-Modeling of kitchens and custom-made interiors
Education
  • Design Academy Eindhoven Bachelor in Design
    2024-Present
  • St. Lucas Kunstsecundair Antwerpen Industriële Kunsten (Industrial Arts)
    2022-2024
    Architecturale en Beeldende Vorming (Architectural and Visual Formation)
    2021-2022
Contact
  • E-Mail info@jaanvanrompaey.be
  • Socials Instagram:
    @studiojaanvanrompaey
    @vanrompaeyjaan